"Someday's gonna be a busy day..."

Showing posts with label dancing. Show all posts
Showing posts with label dancing. Show all posts

Tuesday, 10 September 2013

She Can Twerk If She Wants To

With apologies to Men Without Hats, this has been going through my head on endless repeat ever since watching Miley Cyrus’s performance at the VMA’s:

You can twerk if you want to
You can leave your friends behind
Cause your friends don’t twerk
And if they don’t twerk
Then they’re
No friends of mine...


So. The VMA’s. Miley. The resulting internet firestorm. Wow.

I don’t usually do the whole celebrity commentary thing on this blog, so pardon my foray into uncharted territory. I just feel the need to point out a few things to myself, in writing. Because ten seconds into Miley’s Gene-Simmons-meets-Madonna-meets-every-woman-in-a-Snoop-Dog-video performance, I was ready to climb aboard the slut-shaming bandwagon myself.

If I feel offended by something on TV, or upset, or irritated, or whatever, I usually stop watching it. I’m not sure why Miley’s performance had the magnetic pull of a car-crash, why I didn’t just grab the clicker and find something more conducive to a vegetative state. But no; I watched the whole twerk-tastic thing to its bizarre conclusion.

At first, I did the ol’ schadenfreude thing where you laugh and wince at the same time. I’m pretty sure I said something like, “Oh, Miley. No.” Then the parental thoughts kicked in: Billy Ray must be stabbing his couch with a pitchfork right about now. Finally, around the time Miley started to go all foam-finger on Robin Thicke, I started channelling my Baba as the words “Tsk tsk” came out of my mouth and I felt the urge to fake-spit on the floor. That’s when I realized I was about to tumble down a very steep, very bumpy hill of self-righteousness.

I turned the TV off. Sat there for a minute. And reminded myself of the following:

Miley, despite her cloying childhood name, is a woman. She’s twenty. No wonder her current on stage persona bears no resemblance to the innocent looking Disney drone we’ve all gotten used to. Who wants to be Hannah Banana or whatever she was forever? The Party in the USA has become a Blurred Line and the kid has become a woman. Women get to choose how to act, dress, speak and dance. They get to be daring, sexy, audacious, confident. They get to take risks, make mistakes, have regrets. Or not. I was still thinking of Miley as Billy Ray’s little girl, the squeaky-clean kid with a big voice, and that’s unfair: she’s a woman and who am I to judge her for embracing her sexuality in a big, public way? She makes her choices and she gets to deal with the consequences, be they internet trolls or record sales.

Since when is anything on the VMA’s supposed to be instructive, inspirational or proper? It’s MTV, for pete’s sake! It’s entertainment! I don’t categorize Miley’s three minutes as the artistic work of a singer or a musician; to me, she’s an entertainer, and whether I like the grindy moves or not, she certainly kept a million viewers entertained.

3. Blurred Lines is not a Miley song. It’s Robin Thick’s song, and what Miley did on the VMA stage was downright PG compared to what goes on in Thick’s boobtastic video. I laughed out loud when I read another writer’s comment that Miley had “twerked Thick into submission,” because that’s exactly what she did: she gyrated on and poked at him until he looked more bewildered than studly. I’d say she gave ol’ Mr. “You wanna hug me?” an uncomfortable dose of his own raunchy medicine.

4. But what about the children? The impressionable youth will think twerking and sexually objectifying oneself is cool! Well, some of them already do, and nothing Miley does or doesn’t do is going to change that. YouTube is full of sex and butt-wiggles and boobs already; Miley’s just tapping in to what’s already considered cool, as any shrewd commercial entertainer does. If my daughter wants to watch the VMAs when she gets older, I’ll watch it with her. Initiate a conversation about it afterward, preferably in the car, where she’s trapped and can’t escape me. Instead of worrying that my daughter is going to emulate Miley as a role model, hopefully I’ll have introduced her to several women who have made a difference in my own life. I’ll read to her about other twenty-year-olds who have changed the world. And I’ll certainly be pointing out the difference between entertainers and heroes, between sex in its commercial incarnation and sex in real life, between how men and women are judged for doing essentially the same thing.

So let Miley twerk if she wants to. Or change the channel. Your choice.

Tuesday, 23 April 2013

Dancing Outside the Barn



It was a sweaty June night in 2007 and we were milking cows. My coveralls stuck to my body in places I’d rather not describe, and I knew my face was the colour of an overripe tomato. D likes to think of doing chores on weekends as “date night.” In the summer, I tend to think of it as “hate night.

As I lurched over the gutter to grab some tit dip, I caught sight of D shuffling down the walkway in a rhythmic step, his eyes glazed over in concentration. He was wearing steel-toed boots and poop-stained summer coveralls, unzipped just enough to allow a downy tuft of chest hair to peek out. His hair was a curly mess from the humidity. He wore turquoise latex gloves on his hands, which were raised to hold the waist and hand of an imaginary partner as he swayed across the manure-encrusted floor.

I realized my husband was salsa dancing, probably practising the steps we’d learned in our dance class a few nights previously. As sweat dripped down my nose and a cow defecated directly behind me, I also realized that I found him dead sexy.

D is a wonderful blend of practical gentleman and unselfconscious goofball. He comes across as a serious, almost courtly fellow: he opens doors for people, urges others go to ahead of him in line and loves to talk about finances and career trajectories. Yet underneath his stolid exterior lurks the heart of a child, a soul that hasn’t lost its capacity for joy in simple, sometimes silly things. I adore his enthusiasm for tractors, motorbikes, hockey and his parents’ dairy barn. Most of all, I adore the way he dances.

D and I first met briefly at The Flying Dog, a club in Waterloo that features Latin Night with free salsa dance classes. I was there with my friend Sinda, who was feeding a burgeoning obsession with ballroom dancing. I don’t actually remember meeting D that night; I danced with his colleague, not him. Apparently I shook his hand though. So much for first impressions.

My first clear memory of D came months later when we were thrown together again by chance at a salsa dancing class in the bowels of the University of Waterloo’s student life centre. Sinda was pondering the idea of becoming a dance instructor, and she needed me to be her “girl” so she could learn how to lead. So there I was, floundering around a beige, windowless hallway to the beat of Latin music with a dozen other salsa misfits, including D.

Nothing romantic happened during those awkward, fumbly lessons (unless you count the time he accidentally grabbed my boob). I thought the neatly dressed, lanky, soft-spoken guy I partnered with from time to time seemed sweet and sincere, unlike the icky lechers I’d run into at The Dog. I liked the way his big smile sprang out of nowhere and how patient he was when I messed up a move. But I was married at the time, and though I knew my marriage was navigating rocky waters, I wasn’t ready to jump ship just yet. So dance lessons were just a favour to Sinda, a good distraction from my troubles at home. And D was just a nice guy I danced with once a week.

A year later, after my marriage had exploded in a burst of soap opera shrapnel, I was most definitely single. Emotionally bruised, full of doubt and anxiety, underweight and utterly sure I was going to be alone for the rest of my life, but available. I was a real catch.

Enter Sinda, still a ballroom dance addict and ever-faithful friend.

“Let’s go dancing,” she suggested one afternoon at work as I was moping in my cubicle.

“Ugh,” I said. “No way.”

“Oh come on, you should get out. Why don’t you email that guy from Christina’s salsa class? He seemed pretty keen - remember he asked us to call him if we ever went to The Dog to practice?”

To this day, I have no idea what made me agree to Sinda’s scheme. I wasn’t feeling ready to venture outside the house, let alone attempt to dance with a guy, no matter how nice or keen he was. Sinda had amazing powers of persuasion, I guess. I sent D an email and he sent back a pleasant, witty reply (which I still have). We met the next night, just the two of us, Sinda’s daughter having conveniently come down with a cold.

When D led me to the dance floor, I was shocked to see his hips move like Ricky Martin’s. His lead was sure and strong, and his steps were fluid. Gone was the awkward windmilling of arms and legs I’d experienced back in the hallway at the university.

“Oh, I’ve been taking lessons,” D said casually, and spun me around like he’d been salsa dancing his entire life.

We’ve been dancing ever since. Our Thursday night salsa dates continued, and we took weekly lessons in a lady’s basement while we lived in Waterloo. We even organized a group dance lesson for everyone who came to our engagement party; the dance teacher choreographed a crazy cha-cha number for us and twelve friends, which we all proceeded to massacre at the wedding reception. At least it entertained the guests.

Once D and I moved to the Bruce, opportunities to dance weren’t as readily available as they’d been in the city. We had to get a bit more creative whenever we felt the need to get our boogie on, such as tipsy two-stepping at stag n’ does in Ripley or a singles ballroom dance party in Goderich. We’ve gone to swing dances at the pavilion, the Legion to hear the Glen Boyd Orchestra (featuring D’s uncle on saxophone) and even danced to the Glen Miller Orchestra when they came to Owen Sound. We’re usually the youngest couple on the floor when we go to these events, but it doesn’t matter, because the music is always excellent and swirling around the floor together makes us both happy.

One dance at the Pavilion stands out in my mind. As D and I swayed to Moon River, we noticed an older couple dancing near us. They’d been up for nearly every song, even though they had to be in their late seventies or even early eighties. He wore a wine-coloured shirt under his suit jacket, and she wore a slim leather belt of the same colour around her blouse. They giggled and hugged each other after every dance. They weren’t always on the beat, and they seemed to repeat the same pattern of steps regardless of the music, but you could tell they’d been dancing together for years. The pure joy in their eyes made me smile. I wanted that to be our future.

Dancing with someone is an intimate thing, because every person has their own rhythm, their own style and pace. It can be downright ugly if you’re not in tune with your partner, or vice versa. When you dance with someone and your bodies connect, well...it can take you out of your head completely and into a purely sensual experience, where music and touch and movement are the only things that matter. That’s how it is with D and me, when we dance. Sometimes, anyway. We’ve had our share of horrible missteps and embarrassing moves; times where we’ve laughed at the other person’s clumsiness, times where we’ve thrown up our hands in frustration at our partner’s inability to get it right. It’s sort of like marriage.

And, like our marriage, we’ll keep practising our steps, even if most of our dance parties these days take place in the kitchen instead of a dark club and involve squealing children in pyjamas instead of sultry singles in strapless dresses. And you know what? Whether it’s in the barn, the Legion or our living room, I plan to dance with D for as many years as our legs will let us. I want to be like that couple in the wine-coloured outfits at the Pavilion: maybe our moves will be old-fashioned and a little out of synch, but we’re going to be on the floor for every dance as long as the music’s playing, with goofy smiles on our faces.






Tuesday, 1 September 2009

Stuff I'm slightly embarrassed to admit I like

Oh come on. Everyone has a list. You're just too chicken to blog about it.

1) Baby Duck/Molson Canadian
Cheap, sweet, fizzy wine drunk out of plastic cups on the beach at midnight tastes just like Veuve Cliquot. Trust me. And I'm the beery snobbiest of beer snobs, but a bottle of Canadian so cold your lips almost stick to it is the best way to quench your thirst on a muggy August day. Plus it has fuelled more two-steps and helped me wash down more salty midnight buffets at wedding receptions, stag n' does and reunions than I can count. How can you not love a beer that does that for $2.00 a cup?

2) Friends
I really can't say why this show makes me laugh so much. I mean, it's fairly predictable and not exactly high-brow humour. But there are a few episodes (the one where Phoebe pretends to seduce Chandler, the one where Jon Lovitz is a stoned restaurant owner, the one where Joey discovers that his tailor is a pervert) that make me howl every time I see them. I guess the show is kind of like a warm blanket of sorts; you know the characters, you know the dialogue and you know what's gonna happen because you've seen the episodes a million times. It's not as acerbic as Seinfeld was. It's kind of like eating a nice, warm, fresh squishy plain doughnut. Not great for you, but it won't kill you either.

3) Zoodles
There's something to be said for limp noodles in sweet tomato sauce with a sodium content that would fill three salt shakers. Plus, it comes out of a can! I don't think the recipe or packaging has changed since I was a kid, which is impressive. And this stuff saved my life after my C-section when no other food appealed to me. Now the real question: are Alphaghetti and Zoodles just cleverly disguised fraternal twins? I must do a blind taste test someday.

4) Journey/Abba/Simon & Garfunkel
Ahhh, listening to those soothing ballads punctuated by Steve Perry's freakish high notes on a long trip home from Waterloo. The tinny melodies of Bjorn, Benny and the girls as background music while I make supper. Singing along to the warbling, angsty harmonies of Sim n' Garf as I dust the living room. These tunes are all leftover loves from my teen years when I'd play the same albums over and over and over again. Not enduring classics to any ears but mine, probably. It's still fun to make up words to Abba songs though.

5) The X-Files
I think I've mentioned before how obsessed I am with this show, 7 years after it ended. At first, I had to content myself with reading the episode guide books, which are mostly awful. Then my good friends lent me the entire nine-season DVD collection, which was just mean, 'cause now all I want to do during every spare minute is watch Mulder and Scully play with their flashlights. Jade probably has so much alien conspiracy dialogue embedded in her little brain from all the times I've nursed her while watching X-Files; I've no doubt that someday, I'll be lamely trying to explain why she insists on drawing green men with big eyes during a parent-teacher interview.

Wednesday, 4 February 2009

Guilty Pleasures

1) Sometimes I spend the whole morning wearing nothing but one of D's shirts and some socks. Why? Because I can. (I love working from home!)

2) Once every couple of weeks, I take myself out for lunch. I'll either gorge on the Chinese buffet at New Seasons, or indulge in goat cheese & black bean quesadillas at Watercress Cafe. Then I drive home, stuffed and happy. My afternoon productivity is all the better for it.

3) Quite often when I cook supper, I throw on my favourite Bollywood CD and wind around the kitchen. (Admittedly, this is getting harder to do the bigger my belly gets...)

4) There is nothing more satisfying than taking a good hot shower in the middle of the day. On my break, of course.

5) I've given up buying no-name ice cream. It's either Haagen-Daaz, or it ain't in my freezer.

6) I'm a rabid X-Files fan. Yes, I know David Duchovny is now a balding sex addict. And yes - I know the last two seasons were bad enough to make even the most loyal fans want to poke their own eyes out. Don't even get me started on the latest movie. Call me uncool, passe, even a bit nerdy. I don't care. That's why I just finished reading the Season 6 episode guide from cover to cover. I cannot wait till my friends are finished with their DVD collection - seasons 4-8.

7) Sometimes I'll eat lunch at my desk, then use my allotted 1/2 hour to have a powernap. My heavens, it feels gooooood.

8) When I'm on a conference call, I sit in the beanbag D bought me a few years ago for Christmas. It feels so naughty to be chin-deep in softness when I know other people are stuck in an uncomfortable conference room.

9) Every year, without fail, I re-read every single one of the books in my extensive L.M. Montgomery collection. I find them comforting.

10) When I'm not Bollywooding, I listen to Ryan Seacrest's top 40 countdown while making supper. It kills brain cells, but I find it strangely addictive. There's only so much CBC downer show content I can take.

Now, I've gotta know: what are YOUR guilty pleasures?

Friday, 29 August 2008

A Unitarian wedding and a very Montreal reception

If I were a cynical person, I might huff that a wedding is a wedding is a wedding. You go to a stuffy place of worship, hear the same tired vows, then sit through bland speeches and an even blander supper. I might say that I used to love both 1Corinthians 13 and chicken breast, but as a repeated wedding mixture over the years, that they're starting to lose their appeal.

But when D and I attended my good friend Jarrett's wedding in Montreal last week, my jaded, easily-bored self remembered why I just can't be cynical where weddings are concerned.

The ceremony took place on the East end of the city, at a Unitarian church. I've never been to a Unitarian church, much less a Unitarian wedding, and I was impressed with its non-dogmatic approach. I liked the way Unitarians are able to find compatibility between spirituality and science, even if I still believe in a triune God.

The pianist played a full 30 minutes of classical music exquisitely on the church's grand piano before the ceremony. The rich sound echoed through the small, high-ceilinged building. The music sounded fresh - not snobby, the way classical music can sometimes come across at a formal event - and was an interesting complement to the young cousins who came bashfully down the aisle to place white calla lillies in an old maple syrup pail at the front of the church.

The entire wedding party sat in chairs on a small platform facing the congregation - an arrangement I'd never seen before. It felt very personal, as you could make eye contact with the bride and groom from time to time. Two friends of the couple read a gorgeous poem - one read it in French and the other translated in English - and a cousin of the bride sang a Pete Seeger song. The vows had a lot to do with respecting one another's individuality and support for one another's dreams - no nonesense about loving and obeying. It was a beautiful moment.

The bride's dress was quite simple, but when you looked closer at it, you could see little golden rosebuds embroidered all over the skirt. When I told Cynthia how much I liked the details, she said that her female friends and relatives had come over one night and each woman had sewn on a bud.

She and Jarrett looked so happy. I've never seen a calmer, more relaxed groom than Jarrett that night. It does my heart good to know he's found the perfect partner.

But the best part was the reception. Held at what was once a 1920's cabaret called Le Lion D'Or, the party was classy, sophisticated and a whale of a good time. I loved the live jazz quintet that played all the oldies - Jarrett is a sucker for old-fashioned music - the delicious supper, the crisp, cold glasses of Blanche, trading wit with my two old friends (now PhDs) I've known since Kindergarten but haven't seen in ages. D and I danced nearly every song together. Nothing like a wedding to remind you how good it is to be in love.

Monday, 11 February 2008

Behold the glass trumpet...of rye

I love lotteries. I don't play them very often, but when an opportunity comes up to bet on something, or try to win something, I'm in 100%. Sadly, I rarely WIN anything, but it's still kinda fun waiting to see what the outcome will be.

Case in point: D, C and I went to see the Lighthouse Swing Band on Sat night in Goderich - a 15 piece orchestra that plays all sorts of "oldies" a la Lawerence Welk (yes, we're a bit lame). Anyways, it was a benefit dance for some recently deceased guy we don't know and there were lots of draws plus (my favourite!) a silent auction.

I bid on a bunch of stuff and actually had a pretty hot bidding war going on for a four course dinner for 10 + a night of dancing deal...but I didn't win. So of course, C goes and wins the "glass trumpet" draw, which was a giant bottle of rye. He proudly brought it home and set it a place of honour in the kitchen so he could gloat over it. I so wish he would have poured himself a shot, because the next day we got a call from the organizers saying it was just a bottle of coke and water mixed together - C was supposed to have gone to the bar and got the real thing! Mwah ha ha! Schadenfreude at its best.